Page Brief: Brian De Palma was set to direct this cop caper but ankled (as they say in Variety) over casting issues. A late career triumph for sleepy-eyed noir favorite Robert Mitchum, who excels as a two-time loser trying to avoid more jail time in ...
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Brian DePalma's intriguing amalgam of Blow Up, The Conversation and The Parallax View casts John Travolta as a movie sound ... A late-career stumble for producer George Pal, this hopelessly square and underfunded adaptation of ... Paranoia reigns supreme in William Richert's blackly comic conspiracy theory extravaganza which connects patriarchs, ...
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Paranoia reigns supreme in William Richert's blackly comic conspiracy theory extravaganza which connects patriarchs, ... The New Yorker called Stanley Donen's Python-esque take on the Faust story "the intellectual's Hellzapoppin'".‚ Of course that ...
Entertainment Why It Matters
A late career triumph for sleepy-eyed noir favorite Robert Mitchum, who excels as a two-time loser trying to avoid more jail time in ... Although it stirred little notice on its US release in 1968, the late Michael Reeves' final film (of three and a half) has attained ... Caught in a studio‚ regime change, Ivan Passer's offbeat filmization of Newton Thornberg's novel Cutter and Bone was ...
Anime Before You Continue
Caught in a studio‚ regime change, Ivan Passer's offbeat filmization of Newton Thornberg's novel Cutter and Bone was ... Brian De Palma was set to direct this cop caper but ankled (as they say in Variety) over casting issues.
Relevant points collected here
- Caught in a studio‚ regime change, Ivan Passer's offbeat filmization of Newton Thornberg's novel Cutter and Bone was ...
- Paranoia reigns supreme in William Richert's blackly comic conspiracy theory extravaganza which connects patriarchs, ...
- Brian DePalma's intriguing amalgam of Blow Up, The Conversation and The Parallax View casts John Travolta as a movie sound ...
- The New Yorker called Stanley Donen's Python-esque take on the Faust story "the intellectual's Hellzapoppin'".‚ Of course that ...
- Although it stirred little notice on its US release in 1968, the late Michael Reeves' final film (of three and a half) has attained ...
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